March 24, 2024, column from the Amarillo Globe-News:
Why you should see 'Cabrini' and learn about her selfless quest
By Mike Haynes
Don’t
skip “Cabrini” because you’re not Catholic.
Don’t
skip it because you’re not Italian.
Don’t skip it
because the title reminds you of opera singers. (The movie does include just a
little opera singing, but that isn’t what it’s about.)
Just
don’t skip it.
Here
are two reasons to see “Cabrini”:
Cristiana Dell'Anna as Mother Francesca Cabrini |
Both of those
stipulations were met, and the film’s heroine, Mother Francesca Cabrini, was
the definition of charity. With some dramatic liberties that add characters and
condense timelines, “Cabrini” is the story of her selfless quest to help
orphans and immigrants in the New York City of the late 1800s and early 1900s.
The movie begins
with harsh coughing by Mother Cabrini, played by Cristiana Dell’Anna, and a
doctor telling the young woman she might have two years to live. That doesn’t
stop her from seeking a missionary appointment abroad, and Pope Leo XIII
(Giancarlo Giannini) sends her from Italy to America to minister to the masses
of Italians who have sailed to New York in search of better lives only to find
filth, hunger and discrimination.
Her persistence –
to be exhibited throughout the story – results in Mother Cabrini and a small
group of other sisters sighting the Statue of Liberty in 1889. They make do
with a broken-down building in the city’s Five Points district, searching muddy
streets and climbing down sewer ladders to find children they can move into
their makeshift orphanage.
The
sisters encounter heartaches – such as the death of an orphan boy in an
industrial accident – and resistance from racist residents, city officials
(John Lithgow plays the mayor) and even the local archbishop (David Morse).
Through it all, Mother Cabrini not only survives but succeeds with her
ambitious ventures to aid the poor.
The archbishop does allow his Christian
kindness to outshine city and church politics and offers buildings and land formerly
owned by the Jesuit order to Cabrini so she can build a proper children’s home.
One
catch is that water is scarce on the property, but Cabrini and her followers
overcome the problem by searching for water and digging a well manually
themselves.
Federico Ielapi as Paolo and Cristiana Dell'Anna
as Mother Cabrini in "Cabrini"
Actress
Dell’Anna’s unyielding yet sympathetic face is perfect to convey the grim
determination that takes Cabrini well beyond her doctor’s prognosis and past
her initial, vague mission to help disadvantaged immigrants. She manages to
open a hospital with funds from New York Italian, Irish and Jewish groups and
even travels to Rome to ask for money from the Italian Senate to finish the
project.
At
one point, the pope questions Cabrini’s motives, wondering whether she is
trying to create her own empire instead of doing the work of God. She replies
that she wants “an empire of hope.”
As
the film ends, we are told that Cabrini lived to be 67 years old, establishing
67 missionary institutions for the sick and poor in New York, Chicago, Seattle,
New Orleans, Denver, Los Angeles, Philadelphia, Latin America and Europe. She
became a U.S. citizen in 1909, and in 1946, an estimated 120,000 people filled
Soldier Field in Chicago when the Catholic Church canonized her as the first
American saint.
Mother
Cabrini certainly must have been a saint, whether in the Catholic
definition, the Protestant use of the
term as any born-again Christian or the way I remember people describing a
person who did good deeds and lived an admirable life: “She’s a saint.”
She took to heart
Jesus’ parable in Matthew 25:
“For I was hungry and you gave me
something to eat, I was thirsty and you gave me something to drink, I was a
stranger and you invited me in, I needed clothes and you clothed
me, I was sick and you looked after me, I was in prison and you came
to visit me.’ …
“…’Truly I tell you, whatever you
did for one of the least of these brothers and sisters of mine, you did for me.’”
If you don’t see “Cabrini,” do
think seriously about her example.